Magazine
COMMENTS
One day toward the end of the 90s, a friend of mine, a music academy student listening to I don’t know who, Dvorak, maybe, said to another friend, a philosophy student: “Hear that? That’s a baroque parody.” The philosophy student and I could understand when Damon Albarn parodied Bowie (“He thought of cars,” “Strange news from another star”), but when it came to the ironies and dissimulations of classical music, we were clueless. Which prompted my friend to ask me the following question while writing his doctoral dissertation: “You know when philosophers use Wagner to explain aesthetic problems? You think I can use the Specials?”
Publications
Patrick Tuttofuoco
Focus on his eyes

This publication documents part of the artistic research carried out by artist Patrick Tuttofuoco in his Berlin studio, on the occasion of the show “Focus on his eyes”, which took place at the Italian Cultural Institute of Madrid.
The pages of this book recount the intimate and experimental dimension of Tuttofuoco’s new sculptural phase, which tends towards a neo-figurative and indeterministic representation, the result of a dialogue between the singularity of individual vision and the fragmentary nature of collective imagery. Man goes back to being the unit of measurement through which to decipher all things:
Updates
HELICOTREMA
Helicotrema is a four-day festival that will present a program of recorded audio pieces. The event is conceived and curated by Blauer Hase in collaboration with Giulia Morucchio. (more…)
Updates
Il Secondo Congresso dei Disegnatori – Istituto Svizzero di Roma
From 10 May to 30 June, in Rome, for the second consecutive year, the Draftsmen’s Congress becomes a place in which artists and audience establish a dialogue, using the language of images rather than that of words. (more…)


























