Draftsmen’s Fest #4 – Linus Bill & Adrien Horni feat. Lorenzo Senni
20 May 2013
The fourth and last appointment in Milan of the Draftsmen’s Fest completes the musical program that began on 28 March, with a new display and live set by the visual artists Linus Bill & Adrien Horni and the sound artist Lorenzo Senni. (more…)
Giorgio Ciam – Sulla Pelle
17 May 2013
Giorgio Ciam, Sulla pelle, A Palazzo Gallery
On 9th May 2013 A Palazzo Gallery, in collaboration with the Estate of Giorgio Ciam, will present the solo show GIORGIO CIAM – Sulla pelle, curated by Elena Re. (more…)
Sterling Ruby – Soft Work
16 May 2013
Installation view, FRAC Champagne-Ardenne, Reims Photo Martin Argyrolglo
MACRO – The Museum of Contemporary Art of Rome is pleased to present SOFT WORK, Sterling Ruby’s first solo show in Rome, from May 22 to September 15, 2013. Los Angeles based artist, Sterling Ruby has gained international recognition for his diverse creative practice; his research combines sculpture, painting, drawing, photography, and video. (more…)
The Promised Garden – Notes on Manzoni’s Botanics
14 May 2013
Il Giardino Promesso, courtesy Marta Maldini, Eventi Arte Venezia
Eventi-Arte-Venezia presents The Promised Garden – Notes on Manzoni’s Botanics, a botanic installation by Claudio Rocchetti positioned in the heart of Forte Marghera’s park. From Friday, 3 May 2013, the Garden will host a cycle of sound performances which will continue throughout the month of May 2013. (more…)
Lumpenfotografie – P420
13 May 2013
Alessandra Spranzi, Vendesi #104, fotografia a colori
Opening on 4 May at 18.00 at Galleria P420 (Piazza dei Martiri 5/2, Bologna) Lumpenfotografie. Towards a photography without vainglory is a group show on the artists Hans-Peter Feldmann (Düsseldorf, 1941), Peter Piller (Fritzlar, 1968), Alessandra Spranzi (Milan, 1962), Joachim Schmid (Balingen, 1955) and Franco Vaccari (Modena, 1936). (more…)
Il Secondo Congresso dei Disegnatori – Istituto Svizzero di Roma
9 May 2013
From 10 May to 30 June, in Rome, for the second consecutive year, the Draftsmen’s Congress becomes a place in which artists and audience establish a dialogue, using the language of images rather than that of words. (more…)
