Concrete Affection and A City Called Mirage by Kiluanji Kia Henda at Galleria Fonti, Naples
At Galleria Fonti artist Kiluanji Kia Henda presents the video installation Concrete Affection – Zopo Lady (2014) together with “75,” a series composed by 75 photos taken from the video “Concrete Affection” and Chinese ink drawings.
Kiluanji Kia Henda’s video (about 12”) – presented in Italy for the first time as a side event of the 14th Venice Biennale of Architecture (2014) – is inspired by the book by the Polish journalist and writer Ryszard Kapuscinski entitled Another Day of Life – Angola 1975. A text that documents the last days of Portuguese colonial rule in 1975 and which testifies a time of great unrest and changes experienced even in the “body” of the city of Luanda and of the whole country, followed by a long period of civil war before reaching independence. In particular, from the book by Kapuscinski, Kia Henda gets back the description of the exodus of the many Portuguese people leaving the country, which corresponds to the arrival in Luanda of thousands of Angolans forced by necessity to move from remote and rural areas to the capital city. In the midst of these movements – metaphorically between full, empty and full again – these rank Concrete Affection – Zopo Lady which emphasizes this “delicate and painful” step of the history of Luanda and the whole Angola.
In the video, in a completely empty city, a narrator out-field male voice, runs through streets, places, buildings, from morning to night. In 24 hours: that’s the time to decide whether to remain or to leave the country. A common destiny for everybody is forced to migrate. The result? The narrator says: ” All of the population’s belongings are being packed. The houses are empting and the boxes filling with furniture and trinkets. The city is being stripped of its memory. All that remains is its skeleton, the ground zero of history”.
At Vulcano Solfatara in Pozzuoli, Kia Henda is showing A City Called Mirage. Among fumaroles and volcanic phenomena, still active for 4000 years, has beed installed “Fortress” (2014) a big structure made by iron tubes (8x 8 m) which reproduces the skyline of one of the many “City Mirage” – one for all Dubai in the Emirates – that seem to come from nothing and represent the urban boom imported from Occident to Middle East, Africa, South America. They call it “Dubalization.” A strong symbol of power that becomes poetic and ironic complaint in Kiluanji Kia Henda’s work.
A City Called Mirage is a work in progress, 2013 – 2014, composed by iron sculptures, photographs, drawings, video, installations. A complex project of more elements exhibited at the show Art and the City Zurich: Public Sculpture Project in Zurich in 2015, curated by Christoph Doswald. The starting point is a journey to the south of Angola through the desert region of Namibia, where Kiluanji Kia Henda finds an abandoned building (riddled with bullet holes) with the sign “Miragem.”
A sign that assumes a symbolic value and developed a series of linked projects: “Rusty Mirage (The City Skyline),” “Buildings (The Palace, The Fortress, The Temple, The Ministry)”, “Instructions on How to Create Your Own Personal Dubai at Home” and the video “Paradise Metalic.”
Inside the ancient “Sala del Bianchetto” will be exhibited: the lightbox “Rusty Mirage” (2013) that reproduces the sign “Miragem;” the series of eight photographs “Rusty Mirage (The City Skyline)” (2013) that show the construction of the “city mirage” in iron in the desert of Al-Azraq in Jordan (one of that series has recently been acquired by the Tate Gallery Collection); the ironic installation of photographs Instructions on How to Create Your Own Personal Dubai at Home”; the video installation “Paradise Metalic” produced by Sharjah Art Foundation.
Galleria Fonti – via chiaia 229, 80132 – Napoli, Italy
1 – 30 September 2016
A City Called Mirage
via solfatara 161, Pozzuoli NA
1 – 3- September 2016