Maybe Metafisica by Marc Camille Chaimowicz at La Triennale di Milano

Cover Photo: Marc Camille Chaimowicz, “We Chose Our Words With Care, 
That Neon-Moonlit Evening;
 It Was As If We Were, Party To A Wonderful Alchemy,” 1975, detail.
Mixed media installation on a raised platform, dimensions variable. View of the exhibition at Overduin and Kite, Los Angeles, 2009. Courtesy of the artist and Cabinet, London.


For his first solo show in an Italian public venue, Marc Camille Chaimowicz has conceived an exhibition design linked to the history and architecture of the Palazzo dell’Arte – home to the Triennale of Milan — with works revealing a formal and emotive affinity with the most oneiric of the historical avant-garde movements, Metaphysical art, and its artistic heirs.

Chaimowicz is a pioneer in the multidisciplinary approach. Starting in the 1970s, his installations and performances anticipated the now widespread practice of merging visual arts with choreography, stage direction and curatorship. Open to the intermingling of design, literature and theatre, the artist dedicated entire bodies of works to key people in his career, figures of melancholy and rebellion, including Jean Cocteau, Jean Genet and Gustave Flaubert.

Starting from Giorgio de Chirico’s Il Figliuol prodigo (Prodigal Son, 1973), in which a father and son are painted in a bare interior imbued with a surreal disquiet, the exhibition follows a circular path, characterized by a sense of suspension. Immersed in this atmosphere, the observer encounters some of the most characteristic expressive modes in the artist’s quest, ranging from decoration to painting and from installations to the construction of interiors. The domestic intimacy of reclining desks is juxtaposed with works of architectural inspiration such as the Arches (1975–2016) and the Two-Speed Staircase (1999–2016), giving rise to places pervaded by a dreamlike quality, sometimes physically inaccessible, as in We Chose Our Words With Care, That Neon-Moonlit Evening; It Was As If We Were, Party To A Wonderful Alchemy (1975–2008), a work that can only be viewed through holes in a curtain, or the mysterious Project For A Rural House (2003–2016), which immerses the viewer in the meditative atmosphere of motionless time.

Curated by Eva Fabbris

Artistic Director: Edoardo Bonaspetti

Triennale di Milano – Palazzo della Triennale, Viale Alemagna, 6 – 20121 Milano
Opening Thursday 13 October 2016, 7pm
14 October – 8 January 2016