Jos de Gruyter and Harald Thys, ELEGANTIA, Triennale di Milano

Triennale di Milano presents ELEGANTIA curated by Francesco Garutti, with the artistic direction of Edoardo Bonaspetti, curator of Triennale Arte.

ELEGANTIA is the first solo show hosted by an italian institution of the work by belgian artists Jos de Gruyter and Harald Thys. Conceived as the construction of a precise environment in rigorous dialogue with the rooms of Palazzo dell’Arte, ELEGANTIA has been envisioned as a mise-en-scène of the idea itself of “show,” mental reflection and artificial mirage of an exhibition. Indirectly inspired by the rich, complex and hypertrophic history of production and display that features Triennale and its spaces, the show is the caricature of an architecture, the image of an exhibition about “fine arts,” that reveals itself—after a few moments of estrangement—as an ambiguous catalogue of horrors and only apparent normalities.

In 30 years spent working together—from their first meeting at Sint Lucas University College of Arts and Design of Brussels in 1987—Jos de Gruyter & Harald Thys have given shape to a heterogenous and complex corpus of works, moving from video production to embrace drawing, painting and sculpture, installation, sound and performance.

Seduced and terrified by the mechanical rules of society—psychology of domination and humiliation—and from the ruthlessness of the everyday, the artists bring to life parallel worlds through the obsessive compiling of catalogues and lists: people, objects, cars, animals, architectural elements and city corners. Figures and characters of fear and innocence, of depravation and lightness are presented on stage without any hierarchy, moral judgement or social interpretation. Flat and motionless, bidimensional and stereotyped, they inhabit an ideal and dystopian space, mute and defenseless witnesses of our world.

The architecture of the show—a spatial and optical device shaping the ambiguous relation between subject and object—is a set-up and a piece in itself: an enfilade of arches in false perspective—almost ironically emphasized by the proportions of its parts—is the manifesto of a monument that flaunts itself to reveal its flat and tragi-comical uselessness.

A series of heads—in plaster and paint, specifically conceived for Triennale di Milano—is aligned along the new gallery’s wings and rooms: these apparently classical heads, are then almost microcephalic specimens of indigenous civilizations, their dilated pupils astonished and frightened in the face of reality. The ponderous white sculptures inhabiting the exhibition are not bodies made out of marble following a golden ratio, but heavy bi-dimensional metal figures (White Elements, 2015–16) with disturbing faces. A sequence of portraits (Les Enigmes de Saarlouis, 2012); a group of clay sculptures (Der Schlamm von Braanst, 2008), coming from an inhuman and perturbing pottery workshop; small experiments on human shape (White Elements, prototipos, 2016); a long series of watercolors with ambiguous and heterogeneous subjects (Fine Arts, 2015) and a high fountain for interiors, merging classic and mechanical shapes (De Drie Wijsneuzen, 2013) complete the body of an exhibition that is enigmatically conservative and subtly revealing.

Among the roman and industrial shapes of Palazzo dell’Arte, De Gruyter & Thys with ELEGANTIA propose a sophisticated experiment on the idea of “display” and its same failure: a possible model of a show that is authorless, bidimensional and deformed like the space of our own minds.

Conceived as a complementary and parallel event to ELEGANTIA a screening of the films by Jos de Gruyter & Harald Thys will happen on 28 January at 5:30pm at the Teatro dell’Arte – Triennale di Milano.

Triennale di Milano – Viale Alemagna, 6 20121 Milan Italy
Opening Friday 27 January 2017, 7pm
28 January – 19 March 2017