Real Life at Galerie Bernhard, Zurich

KP Brehmer, Ungleiche Schwestern, ca. 1986

 

Real Life is currently on display at Galerie Bernhard in Zurich. The exhibition has been curated by Elisa R. Linn Lennart Wolff and features work by Peter Friel, Georgie Nettell,  KP Brehmer, Henrik Olesen.

You explain this world to me with an image. I realize then that you have been reduced to poetry: I shall never know.
Usually, we say that we should not mistake fiction for reality – remember the postmodern doxa according to which reality is a discursive product, a symbolic fiction which we misperceive as a substantial autonomous entity. The lesson of psychoanalysis here is the opposite one: we should not mistake reality for fiction – we should be able to discern, in what we experience as fiction, the hard kernel of the real which we are able to sustain only if we fictionalize it.
The common perception is that an artwork is more realistic, the more reality is recognizable in it. Alternatively, let’s propose the definition that an artwork is more realistic, the more recognizably reality is mastered in it. In order to fight for power as well as to retain it, the working class needs realism, acting and reflecting, and this is nothing special, even the bourgeoisie needed realism and needs it still.
There is no history – but just fictions, fictions and tales told by the power, which contain luminous fragments of the expressions of oppressed people.
For time flows on, and if it did not it would bode ill for those who do not sit at golden tables. Methods exhaust themselves, stimuli fail. New problems surface and call for new means. Reality changes; to represent it, the mode of representation must change as well. Nothing comes from nothing; the new comes out of the old, but that is just what makes it new.
When is it not enough to make shit look shittier and smell smellier, but to convince the viewer that there is also something that is different from shit?

(various authors, 1939, 1942, 2001, 2008, 2017)

 

KP Brehmer, Ungleiche Schwestern, ca. 1986

 

Henrik Olesen, Katze / Gorilla, 2014

 

installation view: Real Life, Galerie Bernhard, Zurich, 2017

 

installation view: Real Life, Galerie Bernhard, Zurich, 2017

 

Georgie Nettell, Punks Not Dead It’s Different, 2015

 

Georgie Nettell, Punks Not Dead It’s Different, 2015

 

KP Brehmer, Ungleiche Schwestern, ca. 1986

 

installation view: Real Life, Galerie Bernhard, Zurich, 2017

 

Peter Friel, Fish N Chips Emo I–V, 2017

 

Georgie Nettell, personal local national global, 2017

 

Peter Friel, Fish N Chips Emo I–V, 2017

 

KP Brehmer, Ungleiche Schwestern, ca. 1986; Henrik Olesen, Katze /
Gorilla, 2014

 

Peter Friel, Fish N Chips Emo, 2017

 

Georgie Nettell, personal local national global, 2017

 

Galerie Bernhard – Hardstrasse – 5, 8004 Zürich
24 February – 1 April 2017