Mandla Reuter at Francesca Minini, Milan

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

Francesca Minini is currently presenting Mandla Reuter’s third solo exhibition at the gallery.

Point of origin of Mandla Reuter’s work in recent years often was a piece of land on a paper street neardowntown Los Angeles. Purchased for the exhibition A Plot at De Vleeshal in Middelburg in 2010, Reuter has regularly drawn from this empty lot as a fount of source material. While sitting vacant in East L.A. with an occupiable area of around 400 square meter, the site served him as a studio of endless dimensions unlimited by geography.

Similar to Gordon Matta Clark’s anarchitecture, this piece of land exists only through the translation the artist provides through his works.
Lately Reuter’s approach broadened up to other parts in the world like e.g. Iquitos (Peru), Buenos Aires, or, most recently, Thasos island (Greece) where a block of white marble in a 20ft sea-container traveling on a ship between the island and Los Angeles.

Reuter’s exhibition at Francesca Minini consists of a combination of works, which emerged from this artistic research. Departing from the question on how the world today is explored and viewed at, Reuter is showing a body of work circling around the matter of urbanization and nature.

The Grid (2015) is an installation made of 1.000 liters of table water and an altered manhole cover made of cast iron, which the artist exported from the city Iquitos. With this work Reuter is interweaving the plot of land in Los Angeles with a city in the Peruvian rainforest. Although located in the middle of the continent in the Northern Amazon basin close to the borders of Colombia and Brazil, Iquitos has the character of an island, only reachable by boat or plane. The work is a portrait of a city, an image consisting of essential infrastructural elements of most larger settlements, sewage system and water supply.

Another work in the exhibition consists of an inflatable lift bag: Atlantis (2016), in reference to the fictional island which falls out of favor with the Greek gods and is submerged and lost in the Atlantic Ocean. Also known as salvage balloons, these objects are primarily used by archeologists and submarine salvage teams in order to transport material from the ocean ground back to the surface. This is often man-made material, which has encountered ill-fate or has been lost at sea. Poetically the function of the bag is to return to the light, which was hidden and often forgotten. The artist’s version liberates the lift bag from its intended use lending it the appearance of a beached whale. Atlantis aims to salvage ideas of history making them legible at the surface, at the same time to reflect upon the past in conjunction with the present.

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan

 

MANDLA REUTER, 2017
Exhibition view at Francesca Minini, Milan
Courtesy by the artist and Francesca Minini, Milan


Francesca Minini
– via massimiano 25 – 20134 Milano
7 May – 7 September 2017